| ¦]ÂåÀø·N¥~¦Ó½ß¤W©Ê©Rªº¤j´£µ^®a¡XEmanual Feuermann
(¶Oº¸°Ò)
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¶Oº¸°Ò(Emanual Feuermann) 1902¦~11¤ë22¤é¥X¥Í©ó¯Q§JÄõªºKolomeaªº¤@ӤѤ~®a®x¤¤,¥®¦~®É,¤÷¥À¿Ëªºª`·N¤O³£§ëª`¦b¾Ç¤p´£µ^ªºôôSigmund¨¤W,¦ý¦]µÛ¥Lªøªø¸òµÛôô¥h¤W´£µ^½Ò,¥Lªº¤Ñ½á¤]«Ü§Ö¦a³Qôôªº¦Ñ®vÁɤҦè§J(Otakar
Sercik)µo²{,Âà¦Ó»P·í®Éªº¤j´£µ^¦W®v§JÛ®æ(Julius Klengel)¾Ç²ß.¶i¦Óµo¥úµo¼ö,¤@¥Í§ë¤J¦b¤j´£µ^¤Wªº¼ö·R»P¤Ñ½á.
I place him as the most important figure for 20th century
cello playing because he was the one who proceeded to
carry cello playing as such to a higher level. If he had
lived longer he would literally have taken the place of
Casals.
--<< Janos Starker>>
¦b²{¦b¥R¥¸µÛ°Ó·~¨ú¦Vªºµ¼Ö¬É¸Ì,¦ü¥G¥u¦³¨ü¨ì´CÅé¤j¤O«Å¶Çªºµ¼Ö®a¤~·|³Q¤j²³»{ÃÑ,¹ï©ó¨º¨Ç¾Ö¦³¦Pµ¥,¬Æ¦Ü§ó¦h¤º²[¤Î¹ê¤Oªººt«µ¦W®a¨ä¹ê¬O·¥¬°¤£¤½¥ªº¨Æ.¦Ó¥B³s±aµÛ§Ṳ́]´î¤Ö¤F³\¦h»{ÃÑ¥L̪º¾÷·|.¦b§Úªº¾Ç²ß¹Lµ{¤¤§ÚÁ`¬O·|ı±o·í¥Nªº¤j´£µ^®a¦n¹³´N¬O¥dÂ帴µ,ù´µ¦«ªiºû©_,¥v¶ð§J,³Å¥§¸,
°¨¤Í¤Í,§ù´¶Á¢¤Î³Á´µ°ò, ¤@ª½¨ì§ÚŪ¤F¡¨Fire up with talent¡¨¤@¤å(¿ï¦Û¡¨The Strad¡¨Âø»x2002¦~7¤ë¸¹)«á,¤~¶}©l¹ï³o¦ì¯À¥¼¿Ñ±ªº¤j´£µ^®a¶Oº¸°Ò¦³¤F¤@¨Ç§ó²`ªº¦L¶H.
³o¬°³Q¥v¶ð§JºÙ¬°¤G¤Q¥@¬ö³Ì«nªº¤j´£µ^®a,¬Æ¦Üı±o¥L¦pªG¦A¬¡¤[¤@¨Ç´N¦³¥i¯à·|®³¨«¥dÂ帴µ¡u¤j´£µ^®õ¤æ¡vªº«Ê¸¹ªº¶Oº¸°Ò,³Q»{¬°§JªA¤F¤j´£µ^¦]¬°¼Ö¾¹¤ñ¸û¤j©Ò³y¦¨ªº§Þ¥©»Ùê,¥L¥i¥H»´©ö¦a±N¥¦©Ô«µ±o¹³¤p´£µ^¤@¯ë»´ÃP¦Û¦p.©Ò¥H´N¦³¤HºÙ¥L¬°¤j´£µ^¬Éªº®ü¸¯÷(The
Heifetz of the Cello).
¨ì¤F¥h¦~(2002¦~) ´N¶ZÂ÷¥Lªº½Ï¨°¦³100¦~ªº®É¶¡¤F.µM¦Ó,¥L¦b60¦~«e«o¤w¸gÂ÷¶}§ÚÌ.¦b¥Lµu¼Èªº¥Í©R¸Ì,¥L±aµ¹¥@¤H̳\¦hªºÅå¹Ä»P¦¨´N.°£¤F¥H16·³ªº¸XÄÖ¦¨¬°¬ì¶©µ¼Ö°|ªº±Ð±Â¤Î·í¦a¼Ö¹Îªº¤j´£µ^º®u¤§¥~,¦b1938¦~(36·³),¥LÁÙ©ó¯Ã¬ùªº¥d¤º°òµ¼ÖÆU(Carnegie
Hall)¦b¥|¤Ñ¤§¤º³sÄòºt¥X¤F13º¤j´£µ^¨ó«µ¦±.³o¤£¶È¦b·í®É©Î²{¤µ³£¹êÄÝ¡u§§Á|¡v. ³oÓ¹³¬O¡¨¤@Ó¤Hªº²©R¡¨¡X¤ñ²{¤µ¤j´£µ^¤j®vù´µ¦«ªiºû©_(Mstislav
Rostropovich)¦b1965©Ò°µªº°¨©ÔªQ¦¡ªººt«µ·|ÁÙn¦¤F30¦~©O!
¶Oº¸°Ò¦ü¥G¥Ã»·³£¥Rº¡·sªº³Ð·N©M«i©ó¬D¾Ôªººë¯«,¥L±µ¤U¤F¥dÂ帴µ(Pablo Casals)©Ò»{¬°ªº¡¨¤£¥i¯àªº¥ô°È¡¨(Mission
impossible)¡Xºt«µ¯û¥Õ§J(Arnold Schoenberg)©Ò¼gªº¤j´£µ^¨ó«µ¦±(1933). ¯û¥Õ§J¦b¤j´£µ^ªº§Þ¥©¤è±µ¹¤©¶Oº¸°Ò«Ü°ªªº¼e®e©M´L«.
¦Ó¶Oº¸°Ò«h¬O¹ï©ó³o¦ì§@¦±®a³\¦h·sªº¼vÅT©M·Qªk·P¨ì«D±`¦³¿³½ì.¥L»{¬°³oº¦±¤l®iÅS¤F°ªÃø«×ªº·s§Þ¥©©Mªí²{.
¥L¦b¼w¦ò¥¾§J¤Î®ü¹yD¤j½Õ³o¨âº¨ó«µ¦±¤Wªº¤]°µ¤F³\¦h§V¤O,¥Ñ¦¹¤]¥i¨£¨ì¶Oº¸°Ò¤O¨D§ïÅÜ©M¬ð¯}ªººë¯«.¥L¿ý»s¤F¼w¦ò¥¾§J³oº¨ó«µ¦±³Ì¦ªº¿ýµ,¨Ãªá¤F¨â¦¸ªº®É¶¡¤~§¹¦¨.(1928¤Î1930).¾Ú»¡ÁöµM¼Ö¹Îªº¦ñ«µ¤£ºÉ§¹¬ü,¦ý³oº¼Ö¦±¦]¥L¨ô¶Vªººt«µ¤Î¥L¨º´I¦³¯S¦âªº§Ýµ(Vibrato)¦Ó¨Ï±o¥¦¥Rº¡µÛ¥Í©R¤O.
¦b®ü¹yD¤j½Õ¨ó«µ¦±¤W,³oº¥L¸g±`ºt«µªº¨ó«µ¦±,ì¨Ó¤j®a³£¥H¬°¤w¸g¿ò¥¢, ¥B¦]¬°¨S¦³¤â½Z,©Ò¥H¤@ª½·¥¨ãª§Ä³©Ê.¤@ª½¨ì²Ä¤G¦¸¥@¬É¤j¾Ô¤§«á,¤~¦b¶ø¦a§Qªº¹Ï®ÑÀ]³Qµo²{,¨ä¹ê¶Oº¸°Ò¦b¤Q¦~«e´N¦³¤F³oº¦±¤lªº¤â½ZÁ`Ãмv¥»,¦b1935¦~¥L´N¤w¸g¬°ôÛ¤ñ¨È¤½¥q¿ý¤Fµ.
¦b¥L³o¤@¥Í¤¤,ÁöµM¨Ó¤£¤ÎÅý§ÚÌ«á¥N¦n¦n¦a»{ÃÑ¥L,¦ý¥L¥Î¤F¥Lªº¤Ñ¥÷¤Î¤O¶q,¦bµuµuªº¥|¤Q¦~¤¤§V¤O¦a©b¶].¤£ºÞ¦b¼Ú¬w,¦b¬ü°ê,©Î¦b¥Lªº®a¶m,³£¯d¤U¥Lªº¨¬¸ñ©M³õ³õÃzº¡ªºµ¼Ö·|,¥L¦b³Ì«á¤@³õµ¼Ö·|ºt«µ¼w¦ò¥¾§J¨ó«µ¦±,ÀH«á¦b¯Ã¬ùªF°Ïªº¤@®aÂå°|¥h¥@,¦]¬°¤@Ó¥¢±Ñªº¤â³N.
Âø»x¤W¦³±i¶Oº¸°Òªº¬Û¤ù¬O±aµÛ«D±`¶}®Ôªº¯º®e,¼LÃä§tµÛ¤@®Ú»·Ï,ºOµÛ¥L¤j´£µ^«Üº¡¨¬¦a¬ÝµÛÃèÀY.Åý§Ú¤Q¤À°Ê®e,§Ú¬Û«H¥Lªº¤@¥ÍÁöµMµu¼È,¦ý¤@©w¦]µÛµ¼Ö¦Ó¥Rº¡µÛº¡º¡ªº©¯ºÖ.
¶Oº¸°Ò¿ýµ¤¶²Ð
µ}¦³¿ýµ(1934¦Ü42¦~)
Rare Recording 1934-42
Cello Classics CC1003
¥¬©Ô©i´µ Âù´£µ^¨ó«µ¦± (¤p´£µ^/®üµá¯÷) ²Ä¤@¸¹¤j´£µ^«µ»ï¦±(¿ûµ^/ Theo Van der Pas)
Brahms Double Comcerto( J. Heifezt, Violin), Cello Sonata
in E Minor (Theo Van der Pas, Piano)
Pearl GEMM CD9293
®ü¹yD¤j½Õ¤j´£µ^¨ó«µ¦±,µÎ§B¯Sµ]µ«µ»ï¦±
Haydn Cello Concerto in D Major, Schubert Arpeggione Sonata
Pearl GEMM CD9442
¨©¦hªâ²Ä¤T¸¹¤j´£µ^«µ»ï¦±¤Î¨ä¥L(¿ûµ^/ Myra Hess)
Beethoven Cello Sonata No.3 (Myra Hess, Piano)
Pearl GEMM CD9446
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